You wouldn't know it to look at me now, but I used to play sports. Kind of. Sort of.
I say kind of, because I kind of played the games they way they were intended to be played, only not so well as most people.
I say sort of, because although I was on various teams, I spent more time watching from the sidelines than actually playing. There's a reason for that. I had smart coaches. They knew what they had to work with.
Let me explain.
Until about the age of twelve, I couldn't care less about any sports. I didn't want to watch them on television, and I certainly didn't want to play them. I didn't even like to go outside much when I was a kid.
Then around the time I hit my teenage years, all of a sudden I loved baseball. Loved to watch it on TV, begged my parents to take me to games. (My birthday present when I turned 14 was a family trip to Spring Training games in Florida, where I saw – and was snubbed by, while seeking an autograph – my favorite player, George Brett in person for the first and only time.)
Since I was still only in junior high, there wasn't much chance that I could play baseball on any team at school. We only had a varsity baseball team.
I didn't want to try to play in any city league, because a) I knew I wasn't good enough, and b) that would mean I'd have to meet new people and make new friends, which I was – and still am – horrible at doing.
So I would play in the backyard with my cousins, the neighbors' kids, my dad, or basically whomever would be willing to come out and play. I loved the game with a passion, and thought I could actually play. In backyard baseball, it's easy to look and feel like a star. After all, you only have to hit the ball into the next person's yard to get a homerun. And I could do that with my eyes closed, from both sides of the plate (I'm a switch-hitter). I began to dream, probably naively, that one day I would be a major league baseball player, like my hero, George Brett.
So, once I got to ninth grade, I decided to try out for baseball. That didn't work out so well. First of all, at the time I was skinny, and a very fast runner, but I had no endurance. Whatsoever. I still don't. So when the coach had us run laps around the field, I'd always get off to a blisteringly great start, then poop out by the time I got back around to home plate. And this was the first lap of ten, or twenty, or however many the coach decided to make us run.
At my school, they didn't really make cuts. If you tried out, you made the team. And so I did. But there's a catch to all this. They didn't make cuts, but they did only buy a certain number of uniforms. And how you did at tryouts determined whether you got a uniform, or didn't. I didn't get a uniform.
I wasn't discouraged, however. I figured if I kept coming to practice, kept trying as hard as I possibly could, that maybe – just maybe – they'd either, a) order a few more uniforms, and eventually give me one, or b) someone would get injured or become academically ineligible, and I would be able to take their spot on the team.
Unfortunately, neither of these things happened. I stuck with it, even finished out the season with the team. But I never got a uniform. Never got to play in a single game. Dream: postponed.
In my tenth grade year, I decided to put my ever-so-slightly enhanced stamina to good use and try out for the junior varsity basketball team. I had a basketball hoop at home, and had often played with my cousins, the neighbors' kids, my dad, and etc. I wasn't very good, but I wasn't horrible, so I figured what the heck?
Our basketball coach (a math teacher I had never really liked) liked to make us run sprints, and some other back-and-forth drill that I can't remember the name of, which just killed me. I thought I'd gotten better with my endurance. I was wrong. I would go home from practice with a painful stitch in my side every time. I could barely hack it, but I stuck with it.
I was never any good at shooting, which is sort of the point in basketball. But I was halfway decent at rebounding. Partly because I could jump fairly well from a standing position. I was shorter than most of the guys on the team (and on other teams that we played), but I could hold my own a little bit under the rim. You just couldn't depend on me to put the ball back up for a shot – no, not even right under the rim.
There was one thing I was REALLY good at in basketball, though. And that was fouling. I could foul with the best of them. If the team ever needed somebody to come into the game just to foul somebody, I would have been perfect for the job. But they never seemed to need that. In fact, they never seemed to need me at all. Oh, I was on the team; I even had a uniform. I just didn't see much action in the actual games.
I remember one game I played, because they couldn't not play me in this one. We were playing this really small school from some podunk town. Their junior varsity team – which should have been peopled with middle schoolers and lower-grade high schoolers at the least – appeared to consist of a bunch of ten-year-olds. I was a head or two taller than the tallest kid on their team – and remember, I was short! Needless to say, we blew these kids out of the water. It was merciless. I think the score was something like 86 to 6. And I played in that game. I even scored two points. It took me about three shots to make that one, but I made it! Only two points I ever scored. Ever.
By the end of basketball season, I knew that wasn't the sport for me. I would continue to play pickup games – after school, with kids in the neighborhood, with my cousins, etc. – over the years, but I would never again attempt to be a part of any organized team. And that was fine by me.
After my unsuccessful attempt at basketball, I decided to give baseball another try in my tenth grade year. Once again, I worked hard, showed up at all the practices early on, but didn't make the team. Well, I didn't get a uniform. But I was on the team. For a while at least. About halfway through the season, I got pretty sick of working my butt off in practice, knowing I had zero chance to ever play in an actual game, while some of the starting players would miss practice sporadically, often without an excuse, and were never penalized for their actions. I quit the team. Yes, I was a quitter.
Disheartened by my second failed season as a "baseball player" (I can't use that term without quotation marks just yet), I decided I would give soccer a try in my eleventh grade year. I had never really liked the sport, never played it with friends or cousins or my dad. I didn't even understand the game very well. But some of my closest friends were playing, and they loved it, so I figured I'd give it a whirl. Bad idea.
If I thought there was lots of running in baseball, and even more in basketball, I was in for quite a surprise when I started playing soccer. I must have caught them in an off year, because somehow, without having a clue what I was doing, I made the team. That still baffles me. They could have easily made up a "not enough uniforms" excuse, and I would have bought it hook, line, and sinker. But they didn't, and I was on the team.
As I mentioned before, I had very little stamina or endurance at the time. So the thought of me ever playing any offensive position was utterly ludicrous. The few times that the coach let me into the game – usually when we were annihilating the competition, or being annihilated – I played defense. I don't even remember the name of the position I played. I just remember them telling me, when people come toward the goal area attempting to score, go after them and try to kick the ball away from them. I wasn't exactly sure where I was supposed to kick it, or even remotely confident in my ability to make the ball go where I wanted it to, but I was pretty good at following directions, and that's what I did. If I'm not mistaken, when you kick the ball away from a player, it's called a "clear". If that term is correct, then "clearing" is the only thing I was ever any good at in soccer.
Well, that and penalty kicks. We had a really good goalie on our team – probably the best one in our league, among the various teams we played regularly. But every now and then, and sometimes more often than my teammates, I could score on him with penalty kicks. Of course, this was in practice, never in actual games. I always wanted to be called upon to attempt a penalty kick in an actual game. I think I could have excelled in that area. But it never happened.
Only one game in my one-and-only year playing soccer really stands out in my mind. We were playing another team from a podunk town, somewhere in the middle of nowhere. Well, this school was working on fixing up their current soccer field, and it wasn't ready yet by the time we were playing them in this game. So we played the game, literally, in a corn field. Some farmer had cleared out this area in the middle of a corn field, fashioned it into some semblance of a soccer field, and that was where we would play the game. Keep in mind, this is a corn field, with stalks up to seven feet or higher.
Unfortunately for the other team, my coach decided to play me extensively in this game. And inexplicably, the guy with the ball kept coming my way. And inexplicably, I kept clearing the ball away from him. Which is what I was supposed to do, but the fact that I was succeeding at it was a refreshing surprise for all involved. Only problem was, with the corn stalks so high and close together as they were, I ended up losing about four of the other team's soccer balls forever. Fortunately, they (or we) brought enough soccer balls to continue playing the game, but I'm sure the other school's athletic director was more than a little miffed at my "clearing" half of their soccer balls into oblivion. Oh well!
That was the only year I ever attempted to play soccer. Needless to say, they didn't want me back the next year, and I didn't want to go back. But there was always baseball, right? Sort of.
I did try out for baseball in my eleventh grade year, went through the motions of showing up for all the practices, working my butt off, etc. and fully expected the same results as the past two years. Not this time. Not only did I get a uniform, but I actually got to play on a regular basis.
Hold your horses! This still doesn't end well, believe me. We had a rule in our league that whenever the pitcher or the catcher got on base, you could pinch-run for him, and the pitcher or catcher could then return to the game in the next inning. The pinch-runner could come in any number of times and run for the pitcher or catcher, and often did.
Well, as I said before, I was no long-distance runner, but I was pretty fast for short distances. Like first to second, or second to third, or third to home. So the coach began to use me as a pinch-runner. I did pretty well at it. It was no glamor job, but it was a somewhat important role, and I was all too happy to have it. I even made it up to bat a couple of times that year – struck out both times. Such is life.
We had a good season, though – we might have even won our state championship, though memory fails me as to whether that was in my junior or senior year.
I returned to baseball for my senior year, and landed pretty much in the same role as the year before. I had become a pinch-runner extraordinaire – if there is any such thing as that. If you counted advancing to the next base on a passed ball as a stolen base – and we did – I stole 10 bases my senior year. They'd actually sometimes pinch-run me just to steal a base. It was pretty incredible!
My "shining" moment of my senior year, though, came when one of our starting outfielders was temporarily suspended from the team for academic ineligibility. We were playing an away game, and we were short an outfielder, and for some strange reason, the coach decided to start me in the game to replace him. This could be my big chance – the one that I've been waiting for. Yeah, right! My eternal ineptitude was about to rear its ugly head one final time.
Our team had a great first inning – everybody was hitting. I don't know exactly where I was in the lineup, but I'm pretty sure it was near, if not at, the bottom. But somehow or another, I got up to bat in the first inning. Time to shine. I watched the first ball go by me for a strike. Then I swung half-heartedly at the second pitch, and missed. This was it – two strikes. I figured I would get a good pitch, because the pitcher thought I was overmatched. My goal was to swing as hard as I could, and kill it! Swing hard, I did. Kill it, I did not. I missed the pitch, big-time, and in so doing, strained or pulled a muscle in ribcage. I injured myself striking out – there's something to tell your grandkids.
I was in excruciating pain. But I walked back to the dugout to get my glove – mine was the final out in our monster first inning – and put on my poker face. No way I was going to miss this game because of an injury – this was my big chance! I trotted out to right field gingerly, every now and then grabbing my side to try and convince the pain to go away. It didn't.
Somehow or another, the other team picked up on the fact that I was hurt quicker than my own team did. Because the first batter up hit the ball in my direction. I ran for it as best I could, which wouldn't normally be a problem for me. But I was hurt, and I didn't make the catch. The ball fell in front of me, and I stopped it with my glove. I had to take my glove off and throw the ball in left-handed because my right side – I throw right-handed normally – was throbbing with pain. But my teammates didn't seem to notice.
The next batter up – also in on the fact that there was damaged goods out in right field – hit a screaming line drive down the right field line. I ran as far as I could, then dove to try to stop the ball. I missed it. The ball skittered away a good distance behind me, and the center fielder had to come over and pick the ball up and throw it back in. I'm pretty sure the hitter got a double or triple on the play, and the other runner scored. But I couldn't tell you that for sure. I was in a heap on the ground – finished.
The coaches knew something wasn't right. I was a bad baseball player, but nobody's that bad. I must be hurt. And they took me out of the game. So much for my big chance.
We had a good season that year, too – as I said, that may or may not have been the year we won the state championship. It doesn't really matter anymore.
That was the last time I ever attempted to play baseball. Dream: crushed.
Over the next few years, mostly after I'd already graduated from college (of course I didn't play any sports there), I played softball on our church league team, and did okay at it. I ought to – there's absolutely no excuse for not being able to hit a ball the size of a child's head that's coming at you at around four miles per hour.
Ironically, I became a catcher. Nobody had to run for me, but I wasn't nearly as fast as I had been in my high school days. I hit really well some years, and other years I was just average. But I enjoyed the game again. Even though softball is a weak facsimile of the real thing, I felt like a player again. And maybe for the first time.
I don't play sports much anymore. For one thing, I'm quite overweight, and for another, I'm quite out of shape. But I'm working on both of those problems. Maybe I'll give church softball another go this year. It's been a few years now since I played. But I still feel like a kid at heart. And maybe that's enough.
Thursday, February 2, 2012
Wednesday, February 1, 2012
The Soaps
So, I was at the gym at lunch today, and a couple of the televisions they had on were playing soap operas. One of them I know was The Young And The Restless, the other one I'm not sure about. All of the TV's there play with the sound muted, but with the closed-caption "subtitles" running. I hadn't brought a book or my Kindle with me today, so while I was treadmilling away, I started watching what the "actors" and "actresses" (I use these terms lightly) were saying on the soap operas.
Yikes!
I recognize that these programs have a long history of success, especially The Young And The Restless (aka Y & R) – which I'm fairly certain every human being in this country (either willingly or by force) has watched at least a few times at some point in their lives. Seriously, every job I've ever had, if there was a television in the break room, at any point during the 12:30 to 1:30 hour, you were sure to see a minimum of five people crowded around the screen to watch Y & R and discuss the latest drama. It didn't matter if you hadn't seen a single episode in two or three years, you could catch right up. The only discernible difference might possibly be that the central character's little baby, who had just taken his first step two years ago, was now a teenager or was college-aged. But otherwise, you could pick right up wherever you left off and be fine.
Anyway, to make a long story longer, this got me thinking. If people can get paid to write dialogue that bad, why can't I? I mean, I have at least a modicum of writing skill, so I ought to be able to blow these people out of the water, right?
But then again, good dialogue probably isn't even necessary. Maybe it's not even wanted. Ingenious plotting? Nah, who needs that? Just slap some clichés together on a piece of paper, rehash some plot lines you've been using for decades – sometimes on different characters, often on the same characters – and you're good to go.
Then watch as even the subpar performers they've hired to act out this drivel struggle to say their lines with a straight face, wanting to laugh at the absurdity of it all, yet knowing that any shred of dignity they ever possessed as an actor is dwindling rapidly with each daily episode.
So here's my stab at a typical soap opera scene. I'm warning you – it isn't any good. It's riddled with phrases that I would try never to use in serious writing. But – if I'm successful in my attempt – it should end up being pretty much par for the course in the world of soap operas.
Here goes nothing (and I mean that):
ANDREA: Oh, Granite, I'm so glad to see you. I've been so lonely.
GRANITE: But I just left you twenty minutes ago. I told you I'd be right back.
ANDREA: I know, and I tried to tell myself to carry on, but I didn't think I could bear one more second alone.
GRANITE: Oh, Andrea, sweetie, you know I would never leave you.
ANDREA: I want to believe that, Granite. Really, I do. (dramatic pause) But what about Melissa?
GRANITE: What about Melissa?
ANDREA: Did you tell her you'd never leave her, either? Before you broke her heart?
GRANITE: Andrea, that was a long time ago. You know she means nothing to me anymore.
ANDREA: It was last week, Granite! You left her standing at the altar. And for what? For what, Granite?
GRANITE: (dramatic pause) For you, sweetie. I did it for you. You know I never loved her as much as I love you. I could never love any woman as much as I love you.
ANDREA: Oh, Granite!
GRANITE: And besides, if I had married Melissa, I would have spent the rest of my life in misery, knowing that every moment I spent with her was a moment I couldn't be spending with you.
ANDREA: Oh, Granite! (crying now)
GRANITE: Shh, shh, shh, shh. Dry your tears, darling. Look at me. I love you. And I will always love you.
ANDREA: I know that, Granite. Really, I do. It's just that...Melissa...
GRANITE: Stop it! I don't want to hear any more about Melissa. It's in the past.
ANDREA: You're right, Granite.
GRANITE: Your past on the other hand...
ANDREA: My past? What about my past?
GRANITE: Are you sure you don't still have feelings for Dorian?
ANDREA: No...I mean, well...of course not, no. (dramatic pause) That was a long time ago, Granite. How could you even bring that up again?
GRANITE: It was last week, Andrea. I don't know, call me crazy, but I think you still have feelings for him.
ANDREA: For Dorian?
GRANITE: Yes, for Dorian. You really loved him.
ANDREA: Yes, I did.
GRANITE: And I think a part of you still does.
ANDREA: That's where you're wrong, Granite. You think you know me so well, don't you? Well, I've got news for you. You don't know me at all!
GRANITE: I'm beginning to think you're right. You've changed so much lately. You're not the same Andrea I fell in love with.
ANDREA: Oh, Granite! How could you say that?
GRANITE: I'm just calling it how I see it. Your heart belongs to another.
ANDREA: My heart belongs only and always to you, Granite.
GRANITE: I hope you're telling me the truth, Andrea. Because if you're not, then what I'm about to ask you is going to be the biggest mistake of my life.
ANDREA: (dramatic pause) Granite, what are you saying?
GRANITE: (drops down on one knee, looking up at her) Andrea, you are the one bright spot in my otherwise gloomy existence. You are the glue that holds the pieces of my wounded heart together. And I don't ever want to spend another day in this life without you. Andrea Slater, will you make me the happiest man alive and do me the honor of becoming my wife?
ANDREA: Oh, Granite!
GRANITE: Is that a yes?
ANDREA: Yes! Oh, yes, yes, yes, yes, yes! Oh, of course, Granite! Of course I'll marry you.
GRANITE: I love you, Andrea Slater.
ANDREA: And I love you, Granite Rockwell!
(There is a knock at the door.)
ANDREA: Who could that be?
GRANITE: I don't know. But whoever it is, they better have a good excuse for interrupting the happiest moment of our lives.
(Crosses to the door, and opens it. MELISSA stands there, arm in arm with DORIAN.)
GRANITE: Melissa!
ANDREA: Dorian!
MELISSA: Hello, you two lovebirds...
DORIAN: Surprised to see us?
(GRANITE and ANDREA simultaneously give us a blank stare, which could be interpreted any number of ways, as we cut to commercial.)
Yikes!
I recognize that these programs have a long history of success, especially The Young And The Restless (aka Y & R) – which I'm fairly certain every human being in this country (either willingly or by force) has watched at least a few times at some point in their lives. Seriously, every job I've ever had, if there was a television in the break room, at any point during the 12:30 to 1:30 hour, you were sure to see a minimum of five people crowded around the screen to watch Y & R and discuss the latest drama. It didn't matter if you hadn't seen a single episode in two or three years, you could catch right up. The only discernible difference might possibly be that the central character's little baby, who had just taken his first step two years ago, was now a teenager or was college-aged. But otherwise, you could pick right up wherever you left off and be fine.
Anyway, to make a long story longer, this got me thinking. If people can get paid to write dialogue that bad, why can't I? I mean, I have at least a modicum of writing skill, so I ought to be able to blow these people out of the water, right?
But then again, good dialogue probably isn't even necessary. Maybe it's not even wanted. Ingenious plotting? Nah, who needs that? Just slap some clichés together on a piece of paper, rehash some plot lines you've been using for decades – sometimes on different characters, often on the same characters – and you're good to go.
Then watch as even the subpar performers they've hired to act out this drivel struggle to say their lines with a straight face, wanting to laugh at the absurdity of it all, yet knowing that any shred of dignity they ever possessed as an actor is dwindling rapidly with each daily episode.
So here's my stab at a typical soap opera scene. I'm warning you – it isn't any good. It's riddled with phrases that I would try never to use in serious writing. But – if I'm successful in my attempt – it should end up being pretty much par for the course in the world of soap operas.
Here goes nothing (and I mean that):
ANDREA: Oh, Granite, I'm so glad to see you. I've been so lonely.
GRANITE: But I just left you twenty minutes ago. I told you I'd be right back.
ANDREA: I know, and I tried to tell myself to carry on, but I didn't think I could bear one more second alone.
GRANITE: Oh, Andrea, sweetie, you know I would never leave you.
ANDREA: I want to believe that, Granite. Really, I do. (dramatic pause) But what about Melissa?
GRANITE: What about Melissa?
ANDREA: Did you tell her you'd never leave her, either? Before you broke her heart?
GRANITE: Andrea, that was a long time ago. You know she means nothing to me anymore.
ANDREA: It was last week, Granite! You left her standing at the altar. And for what? For what, Granite?
GRANITE: (dramatic pause) For you, sweetie. I did it for you. You know I never loved her as much as I love you. I could never love any woman as much as I love you.
ANDREA: Oh, Granite!
GRANITE: And besides, if I had married Melissa, I would have spent the rest of my life in misery, knowing that every moment I spent with her was a moment I couldn't be spending with you.
ANDREA: Oh, Granite! (crying now)
GRANITE: Shh, shh, shh, shh. Dry your tears, darling. Look at me. I love you. And I will always love you.
ANDREA: I know that, Granite. Really, I do. It's just that...Melissa...
GRANITE: Stop it! I don't want to hear any more about Melissa. It's in the past.
ANDREA: You're right, Granite.
GRANITE: Your past on the other hand...
ANDREA: My past? What about my past?
GRANITE: Are you sure you don't still have feelings for Dorian?
ANDREA: No...I mean, well...of course not, no. (dramatic pause) That was a long time ago, Granite. How could you even bring that up again?
GRANITE: It was last week, Andrea. I don't know, call me crazy, but I think you still have feelings for him.
ANDREA: For Dorian?
GRANITE: Yes, for Dorian. You really loved him.
ANDREA: Yes, I did.
GRANITE: And I think a part of you still does.
ANDREA: That's where you're wrong, Granite. You think you know me so well, don't you? Well, I've got news for you. You don't know me at all!
GRANITE: I'm beginning to think you're right. You've changed so much lately. You're not the same Andrea I fell in love with.
ANDREA: Oh, Granite! How could you say that?
GRANITE: I'm just calling it how I see it. Your heart belongs to another.
ANDREA: My heart belongs only and always to you, Granite.
GRANITE: I hope you're telling me the truth, Andrea. Because if you're not, then what I'm about to ask you is going to be the biggest mistake of my life.
ANDREA: (dramatic pause) Granite, what are you saying?
GRANITE: (drops down on one knee, looking up at her) Andrea, you are the one bright spot in my otherwise gloomy existence. You are the glue that holds the pieces of my wounded heart together. And I don't ever want to spend another day in this life without you. Andrea Slater, will you make me the happiest man alive and do me the honor of becoming my wife?
ANDREA: Oh, Granite!
GRANITE: Is that a yes?
ANDREA: Yes! Oh, yes, yes, yes, yes, yes! Oh, of course, Granite! Of course I'll marry you.
GRANITE: I love you, Andrea Slater.
ANDREA: And I love you, Granite Rockwell!
(There is a knock at the door.)
ANDREA: Who could that be?
GRANITE: I don't know. But whoever it is, they better have a good excuse for interrupting the happiest moment of our lives.
(Crosses to the door, and opens it. MELISSA stands there, arm in arm with DORIAN.)
GRANITE: Melissa!
ANDREA: Dorian!
MELISSA: Hello, you two lovebirds...
DORIAN: Surprised to see us?
(GRANITE and ANDREA simultaneously give us a blank stare, which could be interpreted any number of ways, as we cut to commercial.)
Tuesday, January 31, 2012
Dear Stupid, Wonderful Cat...
Dear Stupid, Wonderful Cat,
I love you dearly, but if tonight is anything like last night, I may be forced to strangle you with my bare hands.
You're fourteen years old. You've been around long enough to know that waking us up at 2:30 in the morning with repeated meowing may be effective at getting our attention, but is not the best way to endear yourself to your parents.
If you didn't get the hint the first five times I yelled at you -- "FOR THE LOVE OF ALL THAT'S HOLY, FREDERICK EYNSFORD HILL-CAT, WILL YOU PLEASE SHUT UP!" -- I really, really, REALLY wanted you to stop talking. But did you? No, you didn't.
How many times have we told you this before? There are only three valid reasons for waking us up in the middle of the night:
1) There is an intruder in the house who is stealing all our stuff, and possibly intends to harm us.
2) The house is on fire, and we are in imminent danger of asphyxiation from smoke inhalation.
3) The Publisher's Clearing House Prize Patrol is at the door, waiting to award us with a ginormous check, which will allow us to retire early and travel the world.
Any other reason for waking us up at that ungodly hour is unacceptable, and will be responded to with unmitigated fury at worst, or severe annoyance at best.
Being lonely is not a valid excuse. Wanting to be petted is not a valid excuse. Being bored and seeking adventure in other parts of the house which we are occupying -- also not a valid excuse.
Do not be confused by the ultimate result of your plaintive pleas. You will not always be lucky enough to convince your mama to let you in so that you will shut the heck up. This was a one-time-only occurrence, not a new precedent we have set.
You have good hearing, I know you do. If you come to our door and hear snoring -- and you will, as both of your parents have recurring sinus problems -- this is not an acceptable time to announce your intentions to visit us.
I love you dearly, and in general, enjoy your company quite a lot. You are adorably cute, your meow -- known by most of your family members as a merp -- is really first-rate, and I miss you when you're not around. But not in the middle of the night. Never then.
Remember this, as in so doing, you may save your own life.
I love you dearly, but this has got to stop. Immediately. Or else.
Love,
Your Dad
Monday, January 30, 2012
Things I Find Fascinating: Chopped Liver And Other Food Clichés
Most of us, whether we're aware of it or not, use a plethora of oddball clichés on an everyday basis. But do we really know what they mean? Of course, we know what we mean by them, but do we really know where these phrases and sayings come from? Probably not, in most cases. Do we really care? Probably not, in most cases. But I care. At least enough to write a blog post about it. Today's focus is on food-related clichés. Some are widely in use, and some you don't hear quite as often as you used to in the past. But here they are nonetheless:
1) A Dollar To A Donut – Have you ever heard or perhaps uttered the phrase "I'll bet you a dollar to a donut that..." What the heck does that mean? Well, according to Wikipedia.org, "Dollars to Donuts is a faux bet in which one person agrees to put up the same amount of dollars to another person's donuts in a bet (where a donut is considered to be worth much less than a dollar). Betting someone dollars to donuts is a rhetorical device that indicates that the person is confident in the outcome of an event; [however], it does not usually involve an actual bet with actual payoffs (either in dollars or in donuts)."
Well, that explains it much better than I ever could. But why donuts? Not really sure. Previous versions of the cliché include "dollars to buttons" and "dollars to dumplings." Apparently, someone tried to change it to "dollars to cobwebs" at some point, but that didn't really catch on too well. These days, a donut is probably worth a dollar or more, depending on where you buy it. Shoot, these days even a dollar isn't worth a dollar anymore. Maybe the phrase should be changed to "I'll bet you a dollar to a dollar..."
2) Happy As A Clam – This one is a tad confusing. How can a clam be happy? It's a clam. It doesn't really have feelings, and if it did, why would be it happy? Its primary purpose in life is to be killed and eaten by humans and other carnivorous creatures. Now, when I'm eating fried clam strips at a seafood restaurant, I'm usually feeling pretty happy (unless they're overcooked and taste rubbery). But I'm fairly certain that the clam isn't too happy about being eaten. So where does this come from?
Well, apparently the phrase is a truncated version of the saying "happy as a clam at high tide". The thought behind this is that at high tide the clam is not only buried beneath the sand, but is also beneath the water. Therefore, it's harder for the clam to be dug up and eaten at high tide, and thus the clam is perceived to be "happy". Makes perfect sense when you think about it. Just don't think about it too hard. Because clams don't have feelings. They may be disappointed when they are dug up and may halfheartedly try to escape (rarely successfully), but that's instinct, not feelings.
3) Are You Chicken? – This phrase is often used tauntingly to question the degree of another person's fear or apprehension. The origin of the word "chicken" to mean "afraid" is unclear. Some think it reflects the skittish nature of chickens in general. If you run toward a chicken, it will likely be unsure what to do, perceive you as a threat, and run quickly in the opposite direction. Whether this is actual fear or merely survival instinct is irrelevant – the chicken appears to be afraid of you and acts accordingly.
Another theory concerning the origin of the synonymy of chickens and cowardice is the story of "Chicken Little" from the popular children's book series. Chicken Little ran around proclaiming that "the sky is falling! the sky is falling!" because of one seemingly insignificant event involving a falling acorn.
Whichever origin is correct, if the question "Are you chicken?" is ever posed to you, the answer you would hopefully give in reply is "no". Unless you really are chicken. To which, if I may respectfully add, "Bock! Bock! Bock!"
There are lots of other great chicken clichés I could have used here, including "running around like a chicken with its head cut off" (which as we've seen before can be quite interesting and lucrative if handled improperly), "don't count your chickens before they're hatched", and "waking up with the chickens". But I had to pick just one, so there you go.
4) Take (It) With A Grain Of Salt – This oft-used phrase means to cautiously accept what someone is telling you, while maintaining a degree of skepticism about its truth. The origin for this phrase, which goes quite a ways back, is best described by the historian Pliny, in his Naturalis Historia (ca. 77 A.D.):
"After the defeat of that mighty monarch, Mithridates, Gnaeus Pompeius found in his private cabinet a recipe for an antidote in his own handwriting; it was to the following effect: 'Take two dried walnuts, two figs, and twenty leaves of rue; pound them all together, with the addition of a grain of salt; if a person takes this mixture fasting, he will be proof against all poisons for that day.'"
The suggestion here is that potentially harmful effects can be tempered by the taking of a grain of salt. It doesn't discount the fact that what's being taken – or in the case of suspect advice, what's being told to you – could still harm you, but that the taking of the grain of salt, whether literally or figuratively, will make the inevitable outcome more bearable. In the case of the potentially untruthful, unhelpful, or unsafe advice, "taking it with a grain of salt" lessens the chances of its harming you by your less-than-complete acceptance of it. If that makes any sense at all. Hopefully, it does. And now, to me at least, so does the phrase.
5) Life Is Just A Bowl Of Cherries – This curious phrase is often used to denote that things are going smoothly, life is great, and all is right with the world. But why cherries? Well, apparently, the phrase "the berries", which would conceivably include cherries, meant either something that was great, or referred to one's wealth. If you had "the berries" or perhaps if your life was "the berries," you had it made in the shade with a spade and some jade. You were "the tops", so to speak. The actual phrase "Life is just a bowl of cherries" came from a song of the same title, the chorus of which went like this: "Life is just a bowl of cherries / Don't take it serious / Life's too mysterious / You work, you save, you worry so / But you can't take your dough when you go, go, go..." All in all, very wise words for living.
But what if you, like me, don't particularly care for cherries? If "life is just a bowl of cherries" for me, then life is useless, and undesirable, and likely to be wasted. So I guess for folks like me, the phrase can be altered to include a bowl of whatever would signify the good life to me, or to you, specifically. I think I'll go with: "Life is just a bowl of mint chocolate chip ice cream."
6) Bringing Home The Bacon – This humorous phrase (I can't say it with a straight face) means, as you probably already know, to earn money, in particularly for one's family. It generally implies that the amount of money one is earning is not only sufficient to meet one's needs, but is more than enough for one to consider themselves wealthy. But why bacon?
The most common theory as to where the phrase originated is from the story of the Dunmow Flitch (um...Gesundheit?). Reading about it and even regurgitating the story behind it word-for-word is not only confusing, but rather boring. Basically, back in 1104 in Essex, England, this married couple somehow so impressed the Prior of Little Dunmow with their marital devotion (I don't think I really want to know how they went about doing that), that the Prior decided to award them a flitch (or side) of bacon as a result. Now, every four years the people in Great Dunmow, in Essex, do some kind of ritual demonstrating their marital devotion (again, TMI, don't wanna know), and are rewarded with bacon.
While I may never "bring home the bacon" sufficiently to be called wealthy, I would like to make it publicly known here and now and for all time that I love my wife dearly, devotedly, and delightfully, and anyone who wants to give me some bacon because of that fact is certainly welcome to do so.
7) In A Pickle – This also-hilarious phrase, is used to denote that someone is a difficult position, or a quandary, if you will. But what the heck? You can't fit inside a pickle, I don't care how skinny you are! So, where did this saying come from?
Well, apparently the earliest pickles were spicy sauces made to accompany meat dishes. The word "pickle" was later used to describe a mixture of spiced, salted vinegar that was used as a preservative for foods.
Later on, some really twisted writers (an oxymoron, of course) made up some fanciful stories – cautionary tales, really – about living people being added to the mixture of spices and sauces, either by accident, or intentionally as punishment for their misdeeds. If you were unfortunate enough to be purposefully or mistakenly added to the pickle sauce, you were said to be "in a pickle". Which would certainly qualify as being in a quandary, as no one in his or her right mind desires to be pickled and later consumed. That's just crazy talk!
8) Cut The Cheese – Yes, I'm going there. As most of you know (especially the more juvenile-minded like myself), to "cut the cheese" means to break wind – or to put it more crassly, to fart. But where did this most unusual of phrases originate?
Who exactly came up with the phrase is a seemingly unanswerable question. But when is a little clearer. First off, the word "cut" by itself has been used as a euphemism for breaking wind since the late 1800's. In polite company, one might say that they had "cut their finger", but what they really meant is that they had farted. Some sources from the same time period suggest that the phrase "cut no cheese" was used contemporaneously with "cut" by itself. However, the saying "cut no cheese" was used to describe something of no weight or value. Similar to how we might now say that something "doesn't pass muster," they would say back then that it "cut no cheese."
Ultimately, the association of cutting cheese with breaking wind is believed to derive from the fact that certain cheeses, while inherently stinky in and of themselves, instantly smell worse, or stinkier, once the cheese is cut. The sudden whiff of stinkiness that emits from a cut cheese far exceeds the stinkiness of the uncut cheese. I don't think I need to draw a correlation here between the two. You get it. 'Nuff said.
9) Don't Cry Over Spilled Milk – Well, the meaning of this one is probably self-explanatory, but just in case it isn't, here's how Wikipedia describes it: "It is no use worrying about unfortunate events which have already happened and which cannot be changed." But why do we say it? A multiplicity of wildly varying theories abound.
One story says the phrase sprang from fairy lore, in which people would pour cold, creamy milk onto the ground outside their houses to attract fairies to come there; or alternately, they would surround their homes with "spilled milk" to appease the resident sprites, as a sort of shrine, so to speak.
Another theory says that the phrase originated during the Great Depression, when the price of milk as a commodity had fallen so low due to its overabundance relative to demand, that dairy farmers were subsidized by the state to destroy their surplus in order to bring prices back up to a profitable level.
The common sense theory, which I tend to like the best, is that it's utterly pointless to get upset about having spilled your milk. Yes it's wasteful, and yes it's going to be a pain to clean up. But you've already spilled it. So clean it up already! And move on. Life's too short to get upset by stupid stuff like squandered dairy products.
10) What Am I, Chopped Liver? – Why is it that, when feeling left out or disrespected by others, we so often utter this oddball question? Of course, it's rhetorical – no one is, in fact, chopped liver. So what do we mean by this saying?
Chopped liver is a traditional Jewish dish, consisting of cooked chicken livers that are chopped (or ground) and seasoned. While chopped liver is sometimes used as a sandwich filling, it is most often served as a side dish, and is never the main dish. Therefore, for someone to say that they feel akin to chopped liver is to equate themselves as less important and more expendable in the eyes of the person by whom they feel disrespected.
Most folks I know don't eat a lot of chopped liver. I don't either. Wouldn't touch the stuff. I don't even want any unchopped liver. But I can easily recognize that there are plenty of side dishes that are perfectly fine in and of themselves, yet will never be the star on the plate.
Since I don't do liver, the next time I feel slighted in some way, or I feel as though I am being treated as second-rate, I am going to personalize this cliché and pose the question: "What am I, steamed asparagus?" I just hope whomever I'm saying this to understands that I mean the question to be rhetorical.
(Sources: www.wikipedia.org, www.phrases.org.uk, Wiki Answers, and various other places on the wonderful World Wide Web.)
1) A Dollar To A Donut – Have you ever heard or perhaps uttered the phrase "I'll bet you a dollar to a donut that..." What the heck does that mean? Well, according to Wikipedia.org, "Dollars to Donuts is a faux bet in which one person agrees to put up the same amount of dollars to another person's donuts in a bet (where a donut is considered to be worth much less than a dollar). Betting someone dollars to donuts is a rhetorical device that indicates that the person is confident in the outcome of an event; [however], it does not usually involve an actual bet with actual payoffs (either in dollars or in donuts)."
Well, that explains it much better than I ever could. But why donuts? Not really sure. Previous versions of the cliché include "dollars to buttons" and "dollars to dumplings." Apparently, someone tried to change it to "dollars to cobwebs" at some point, but that didn't really catch on too well. These days, a donut is probably worth a dollar or more, depending on where you buy it. Shoot, these days even a dollar isn't worth a dollar anymore. Maybe the phrase should be changed to "I'll bet you a dollar to a dollar..."
2) Happy As A Clam – This one is a tad confusing. How can a clam be happy? It's a clam. It doesn't really have feelings, and if it did, why would be it happy? Its primary purpose in life is to be killed and eaten by humans and other carnivorous creatures. Now, when I'm eating fried clam strips at a seafood restaurant, I'm usually feeling pretty happy (unless they're overcooked and taste rubbery). But I'm fairly certain that the clam isn't too happy about being eaten. So where does this come from?
Well, apparently the phrase is a truncated version of the saying "happy as a clam at high tide". The thought behind this is that at high tide the clam is not only buried beneath the sand, but is also beneath the water. Therefore, it's harder for the clam to be dug up and eaten at high tide, and thus the clam is perceived to be "happy". Makes perfect sense when you think about it. Just don't think about it too hard. Because clams don't have feelings. They may be disappointed when they are dug up and may halfheartedly try to escape (rarely successfully), but that's instinct, not feelings.
3) Are You Chicken? – This phrase is often used tauntingly to question the degree of another person's fear or apprehension. The origin of the word "chicken" to mean "afraid" is unclear. Some think it reflects the skittish nature of chickens in general. If you run toward a chicken, it will likely be unsure what to do, perceive you as a threat, and run quickly in the opposite direction. Whether this is actual fear or merely survival instinct is irrelevant – the chicken appears to be afraid of you and acts accordingly.
Another theory concerning the origin of the synonymy of chickens and cowardice is the story of "Chicken Little" from the popular children's book series. Chicken Little ran around proclaiming that "the sky is falling! the sky is falling!" because of one seemingly insignificant event involving a falling acorn.
Whichever origin is correct, if the question "Are you chicken?" is ever posed to you, the answer you would hopefully give in reply is "no". Unless you really are chicken. To which, if I may respectfully add, "Bock! Bock! Bock!"
There are lots of other great chicken clichés I could have used here, including "running around like a chicken with its head cut off" (which as we've seen before can be quite interesting and lucrative if handled improperly), "don't count your chickens before they're hatched", and "waking up with the chickens". But I had to pick just one, so there you go.
4) Take (It) With A Grain Of Salt – This oft-used phrase means to cautiously accept what someone is telling you, while maintaining a degree of skepticism about its truth. The origin for this phrase, which goes quite a ways back, is best described by the historian Pliny, in his Naturalis Historia (ca. 77 A.D.):
"After the defeat of that mighty monarch, Mithridates, Gnaeus Pompeius found in his private cabinet a recipe for an antidote in his own handwriting; it was to the following effect: 'Take two dried walnuts, two figs, and twenty leaves of rue; pound them all together, with the addition of a grain of salt; if a person takes this mixture fasting, he will be proof against all poisons for that day.'"
The suggestion here is that potentially harmful effects can be tempered by the taking of a grain of salt. It doesn't discount the fact that what's being taken – or in the case of suspect advice, what's being told to you – could still harm you, but that the taking of the grain of salt, whether literally or figuratively, will make the inevitable outcome more bearable. In the case of the potentially untruthful, unhelpful, or unsafe advice, "taking it with a grain of salt" lessens the chances of its harming you by your less-than-complete acceptance of it. If that makes any sense at all. Hopefully, it does. And now, to me at least, so does the phrase.
5) Life Is Just A Bowl Of Cherries – This curious phrase is often used to denote that things are going smoothly, life is great, and all is right with the world. But why cherries? Well, apparently, the phrase "the berries", which would conceivably include cherries, meant either something that was great, or referred to one's wealth. If you had "the berries" or perhaps if your life was "the berries," you had it made in the shade with a spade and some jade. You were "the tops", so to speak. The actual phrase "Life is just a bowl of cherries" came from a song of the same title, the chorus of which went like this: "Life is just a bowl of cherries / Don't take it serious / Life's too mysterious / You work, you save, you worry so / But you can't take your dough when you go, go, go..." All in all, very wise words for living.
But what if you, like me, don't particularly care for cherries? If "life is just a bowl of cherries" for me, then life is useless, and undesirable, and likely to be wasted. So I guess for folks like me, the phrase can be altered to include a bowl of whatever would signify the good life to me, or to you, specifically. I think I'll go with: "Life is just a bowl of mint chocolate chip ice cream."
6) Bringing Home The Bacon – This humorous phrase (I can't say it with a straight face) means, as you probably already know, to earn money, in particularly for one's family. It generally implies that the amount of money one is earning is not only sufficient to meet one's needs, but is more than enough for one to consider themselves wealthy. But why bacon?
The most common theory as to where the phrase originated is from the story of the Dunmow Flitch (um...Gesundheit?). Reading about it and even regurgitating the story behind it word-for-word is not only confusing, but rather boring. Basically, back in 1104 in Essex, England, this married couple somehow so impressed the Prior of Little Dunmow with their marital devotion (I don't think I really want to know how they went about doing that), that the Prior decided to award them a flitch (or side) of bacon as a result. Now, every four years the people in Great Dunmow, in Essex, do some kind of ritual demonstrating their marital devotion (again, TMI, don't wanna know), and are rewarded with bacon.
While I may never "bring home the bacon" sufficiently to be called wealthy, I would like to make it publicly known here and now and for all time that I love my wife dearly, devotedly, and delightfully, and anyone who wants to give me some bacon because of that fact is certainly welcome to do so.
7) In A Pickle – This also-hilarious phrase, is used to denote that someone is a difficult position, or a quandary, if you will. But what the heck? You can't fit inside a pickle, I don't care how skinny you are! So, where did this saying come from?
Well, apparently the earliest pickles were spicy sauces made to accompany meat dishes. The word "pickle" was later used to describe a mixture of spiced, salted vinegar that was used as a preservative for foods.
Later on, some really twisted writers (an oxymoron, of course) made up some fanciful stories – cautionary tales, really – about living people being added to the mixture of spices and sauces, either by accident, or intentionally as punishment for their misdeeds. If you were unfortunate enough to be purposefully or mistakenly added to the pickle sauce, you were said to be "in a pickle". Which would certainly qualify as being in a quandary, as no one in his or her right mind desires to be pickled and later consumed. That's just crazy talk!
8) Cut The Cheese – Yes, I'm going there. As most of you know (especially the more juvenile-minded like myself), to "cut the cheese" means to break wind – or to put it more crassly, to fart. But where did this most unusual of phrases originate?
Who exactly came up with the phrase is a seemingly unanswerable question. But when is a little clearer. First off, the word "cut" by itself has been used as a euphemism for breaking wind since the late 1800's. In polite company, one might say that they had "cut their finger", but what they really meant is that they had farted. Some sources from the same time period suggest that the phrase "cut no cheese" was used contemporaneously with "cut" by itself. However, the saying "cut no cheese" was used to describe something of no weight or value. Similar to how we might now say that something "doesn't pass muster," they would say back then that it "cut no cheese."
Ultimately, the association of cutting cheese with breaking wind is believed to derive from the fact that certain cheeses, while inherently stinky in and of themselves, instantly smell worse, or stinkier, once the cheese is cut. The sudden whiff of stinkiness that emits from a cut cheese far exceeds the stinkiness of the uncut cheese. I don't think I need to draw a correlation here between the two. You get it. 'Nuff said.
9) Don't Cry Over Spilled Milk – Well, the meaning of this one is probably self-explanatory, but just in case it isn't, here's how Wikipedia describes it: "It is no use worrying about unfortunate events which have already happened and which cannot be changed." But why do we say it? A multiplicity of wildly varying theories abound.
One story says the phrase sprang from fairy lore, in which people would pour cold, creamy milk onto the ground outside their houses to attract fairies to come there; or alternately, they would surround their homes with "spilled milk" to appease the resident sprites, as a sort of shrine, so to speak.
Another theory says that the phrase originated during the Great Depression, when the price of milk as a commodity had fallen so low due to its overabundance relative to demand, that dairy farmers were subsidized by the state to destroy their surplus in order to bring prices back up to a profitable level.
The common sense theory, which I tend to like the best, is that it's utterly pointless to get upset about having spilled your milk. Yes it's wasteful, and yes it's going to be a pain to clean up. But you've already spilled it. So clean it up already! And move on. Life's too short to get upset by stupid stuff like squandered dairy products.
10) What Am I, Chopped Liver? – Why is it that, when feeling left out or disrespected by others, we so often utter this oddball question? Of course, it's rhetorical – no one is, in fact, chopped liver. So what do we mean by this saying?
Chopped liver is a traditional Jewish dish, consisting of cooked chicken livers that are chopped (or ground) and seasoned. While chopped liver is sometimes used as a sandwich filling, it is most often served as a side dish, and is never the main dish. Therefore, for someone to say that they feel akin to chopped liver is to equate themselves as less important and more expendable in the eyes of the person by whom they feel disrespected.
Most folks I know don't eat a lot of chopped liver. I don't either. Wouldn't touch the stuff. I don't even want any unchopped liver. But I can easily recognize that there are plenty of side dishes that are perfectly fine in and of themselves, yet will never be the star on the plate.
Since I don't do liver, the next time I feel slighted in some way, or I feel as though I am being treated as second-rate, I am going to personalize this cliché and pose the question: "What am I, steamed asparagus?" I just hope whomever I'm saying this to understands that I mean the question to be rhetorical.
(Sources: www.wikipedia.org, www.phrases.org.uk, Wiki Answers, and various other places on the wonderful World Wide Web.)
Sunday, January 29, 2012
When Suzy Met Danny: The Suzy & Danny Saga Begins
Suzy Sunshine was a happy child. She had two parents who loved her, and three wonderful brothers who never mistreated her or caused her a moment's grief.
At school, Suzy had many friends -- the guys admired her, but did not fawn over her; the girls enjoyed her company, but did not envy her. Her teachers loved her, because she always paid attention in class, always put forth her best effort, and always earned good grades. Her intelligence was superior to most, though she never flaunted the fact.
Good fortune followed Suzy into adulthood. After high school, she attended a premier university on a full academic scholarship, and graduated magna cum laude in only three and a half years. Upon graduating, she immediately secured a well-paying job in her chosen field, and began her sure-to-be-brilliant career.
Indeed, Suzy Sunshine had the world on a string, and was often known to sit on rainbows (when unicorns were unavailable).
*************************************************************************
Danny Danger was from The Wrong Side Of The Tracks, a place where everybody, including the cops and their mothers, had a criminal record; a place where the population dwindled a little more each day, starting when the sun went down. Danny had a mother who barely acknowledged his existence (only when she was aware of her own, which wasn't often) and a long string of stepfathers, only one of which (the 12th stepdad, he thought) was worth getting to know. And that one had died under mysterious circumstances, while bathing with the toaster.
Danny started drinking the year after he took up smoking. He wasn't sure exactly how old he was at the time, but it was probably the year he started kindergarten. The past was a little hazy. Probably from all the drugs he took in middle school. He quit school as soon as he turned sixteen -- he was in seventh grade at the time. There wasn't much point in continuing anyway -- he'd already broken every rule in the book and set the record for most suspensions in a single school year. What else was there left to shoot for?
When school was a thing of the past, Danny moved on to bigger and better things. That is to say, crime. He would try anything once, and often did at least twice. Grand larceny, driving while impaired, cat burglary, vandalism, jaywalking -- you name it, he'd done it, and enjoyed every minute of it. Danny was bad news and he knew it -- if you couldn't tell it by looking in his eyes, you could look about a foot and a half below them and read his shirt, which stated simply, "I'M BAD NEWS!"
Indeed, Danny Danger was trouble of the highest order, and was often known to beat dead horses (when dead unicorns were unavailable).
*************************************************************************
One fine day in the merry, merry month of May, Suzy Sunshine was walking in the park, enjoying the brilliant sunlight peeking through the trees, feeling the breeze whip her long, lustrous hair in a halo about her head, and humming a happy tune about bunny rabbits.
Danny Danger was cutting through a narrow path in the trees, swiftly and without any unnecessary sounds, so as not to give away his position. He knew that the surprisingly agile, middle-aged woman whose purse and Volvo he had stolen would be gaining on him, and Danny wasn't particularly in the mood to return to prison today. He had only been out a couple of days, and freedom was nice, though a guy still had to make a living and get around town somehow.
As Danny reached the clearing he had been rapidly approaching, he hadn't seen Suzy skipping toward him from the opposite direction. By the time he saw her, it was too late to avoid the collision. They ran headlong into each other, skull cracking uncomfortably against skull, before both collapsing in a conjoined heap of tattooed arms (his), smooth legs (hers), and designer handbags (both), and sinking into mutual unconsciousness.
At school, Suzy had many friends -- the guys admired her, but did not fawn over her; the girls enjoyed her company, but did not envy her. Her teachers loved her, because she always paid attention in class, always put forth her best effort, and always earned good grades. Her intelligence was superior to most, though she never flaunted the fact.
Good fortune followed Suzy into adulthood. After high school, she attended a premier university on a full academic scholarship, and graduated magna cum laude in only three and a half years. Upon graduating, she immediately secured a well-paying job in her chosen field, and began her sure-to-be-brilliant career.
Indeed, Suzy Sunshine had the world on a string, and was often known to sit on rainbows (when unicorns were unavailable).
*************************************************************************
Danny Danger was from The Wrong Side Of The Tracks, a place where everybody, including the cops and their mothers, had a criminal record; a place where the population dwindled a little more each day, starting when the sun went down. Danny had a mother who barely acknowledged his existence (only when she was aware of her own, which wasn't often) and a long string of stepfathers, only one of which (the 12th stepdad, he thought) was worth getting to know. And that one had died under mysterious circumstances, while bathing with the toaster.
Danny started drinking the year after he took up smoking. He wasn't sure exactly how old he was at the time, but it was probably the year he started kindergarten. The past was a little hazy. Probably from all the drugs he took in middle school. He quit school as soon as he turned sixteen -- he was in seventh grade at the time. There wasn't much point in continuing anyway -- he'd already broken every rule in the book and set the record for most suspensions in a single school year. What else was there left to shoot for?
When school was a thing of the past, Danny moved on to bigger and better things. That is to say, crime. He would try anything once, and often did at least twice. Grand larceny, driving while impaired, cat burglary, vandalism, jaywalking -- you name it, he'd done it, and enjoyed every minute of it. Danny was bad news and he knew it -- if you couldn't tell it by looking in his eyes, you could look about a foot and a half below them and read his shirt, which stated simply, "I'M BAD NEWS!"
Indeed, Danny Danger was trouble of the highest order, and was often known to beat dead horses (when dead unicorns were unavailable).
*************************************************************************
One fine day in the merry, merry month of May, Suzy Sunshine was walking in the park, enjoying the brilliant sunlight peeking through the trees, feeling the breeze whip her long, lustrous hair in a halo about her head, and humming a happy tune about bunny rabbits.
Danny Danger was cutting through a narrow path in the trees, swiftly and without any unnecessary sounds, so as not to give away his position. He knew that the surprisingly agile, middle-aged woman whose purse and Volvo he had stolen would be gaining on him, and Danny wasn't particularly in the mood to return to prison today. He had only been out a couple of days, and freedom was nice, though a guy still had to make a living and get around town somehow.
As Danny reached the clearing he had been rapidly approaching, he hadn't seen Suzy skipping toward him from the opposite direction. By the time he saw her, it was too late to avoid the collision. They ran headlong into each other, skull cracking uncomfortably against skull, before both collapsing in a conjoined heap of tattooed arms (his), smooth legs (hers), and designer handbags (both), and sinking into mutual unconsciousness.
To Be Continued...
Saturday, January 28, 2012
Must Be The Weekend
I can't think of anything to write about. I have some ideas but I don't feel like putting in the effort to prepare them. I have better things to do, like nothing at all. Must be the weekend.
Pardon my stream of consciousness. Thoughts rolling around my head without rhyme or reason. Maybe I could write about...no, that's boring. Or what about...no, I've done that before.
Updates! Nobody wants to read them, but at least I'm saying something. Which is slightly better than saying nothing.
Went to the gym today. That's 12 times in the last 3 weeks alone. Not alone -- Mary's been going too, every time in fact. Alone, as in merely. In merely 3 weeks, 12 trips. That's pretty good, I think. Lifted a total of 12,000 pounds today. That's probably approximately two of some large wild animal, but I don't feel like looking it up. Let's see, if last week's total (13,600 lbs.) was two White Rhinoceroses, then this week could be two White Rhinoceroses if one of them is on a diet.
Speaking of diets, I'm still on one myself. At last check, I was down 12 pounds on the year. Only 50 more to go! Slowly but surely. Hopefully. Tonight, though, fish sticks and French fries. Happy "cheating"! Must be the weekend.
Still reading War And Peace while working out at the gym. Have gotten 11% of the way through it so far. Would have gotten farther, but I'm also reading an autobiography of David "Big Papi" Ortiz (baseball player); a true crime book about the Green River Killer; a young adult book about a teenage princess and her talking tiara; a British adventure/thriller novel; and also, The Girl With The Dragon Tattoo. What can I say, I can't stay focused on any one book at a time for too long.
I can't think of anything else to say. At least this was short. And so is the weekend. So that's it. Yeah, I know. Sorry.
Pardon my stream of consciousness. Thoughts rolling around my head without rhyme or reason. Maybe I could write about...no, that's boring. Or what about...no, I've done that before.
Updates! Nobody wants to read them, but at least I'm saying something. Which is slightly better than saying nothing.
Went to the gym today. That's 12 times in the last 3 weeks alone. Not alone -- Mary's been going too, every time in fact. Alone, as in merely. In merely 3 weeks, 12 trips. That's pretty good, I think. Lifted a total of 12,000 pounds today. That's probably approximately two of some large wild animal, but I don't feel like looking it up. Let's see, if last week's total (13,600 lbs.) was two White Rhinoceroses, then this week could be two White Rhinoceroses if one of them is on a diet.
Speaking of diets, I'm still on one myself. At last check, I was down 12 pounds on the year. Only 50 more to go! Slowly but surely. Hopefully. Tonight, though, fish sticks and French fries. Happy "cheating"! Must be the weekend.
Still reading War And Peace while working out at the gym. Have gotten 11% of the way through it so far. Would have gotten farther, but I'm also reading an autobiography of David "Big Papi" Ortiz (baseball player); a true crime book about the Green River Killer; a young adult book about a teenage princess and her talking tiara; a British adventure/thriller novel; and also, The Girl With The Dragon Tattoo. What can I say, I can't stay focused on any one book at a time for too long.
I can't think of anything else to say. At least this was short. And so is the weekend. So that's it. Yeah, I know. Sorry.
Friday, January 27, 2012
If You Like...Then You Might Like...
Music is a funny thing. It can get you going or mellow you out. It can even change your mood. For some people, like me, it can also inspire you.
Therefore, it's important to be careful what kind of music you allow to be a part of your life. I have to admit, I'm not always careful enough. I have tons and tons of good, positive music. And I have some not-so-positive music. I listen to plenty of good, God-honoring Christian music. And sometimes I don't.
Don't get me wrong – I'm not saying that I listen to complete rubbish, although I easily could. But sometimes I feel like listening to music by so-called "secular" artists, and I do. I'm not here to condone or condemn any music that's not Christian. I'm just being honest, which is sort of the point.
That being said, I do recognize that I am more likely to be in a better frame of mind and more at peace in my soul when I'm listening to music that speaks to my soul.
I don't know who's reading this right now.
Maybe you're older, and when you hear bits and pieces of "modern" music, whatever the style, you simply roll your eyes, hit the "Seek" button on the radio, or the "Channel" button on your TV, because it holds no interest for you whatsoever. It all sounds like a bunch of noise, you think.
Maybe you're younger, a teenager perhaps, and you hear today's popular music on a regular basis – whether you own it and play it on your mp3 player, or you hear it at your friends' house, or watch music videos on TV, or whatever. Maybe you like some of this music, even though you know the lyrics, or the content of the videos, or the artists themselves are questionable, if not downright immoral. Maybe you don't care if it's "bad" or not.
Maybe you're the parent of teenagers, or even younger children, and you're concerned about the negative influences that some of today's music is having, or will potentially have on your child's life. Maybe you know they're listening to it, and you think: What harm could it do, it's just music, right? Maybe they're listening to it when you're not around, and it's affecting the way they think, feel, or behave.
Maybe you're of the belief that only one kind of music is any good, and that's Christian music. And only one kind of Christian music is good, and that's Southern gospel, or hymns, or Christian contemporary music, or you-fill-in-the-blank. You're entitled to that opinion, of course, and maybe you're right. Or maybe you just don't realize that there are good, Godly alternatives to today's "secular" music because you've never been exposed to them, or because you've summarily dismissed them as "copycats" of worldly music.
Whichever category best fits you as you're reading this, I hope you will listen to the songs in the video links below, and will do so with an open mind. If you're the "anything-that-ain't-a-hymn-is-sinful" person, maybe these will convince you otherwise (or maybe not). If you're a parent, perhaps you'll find something here that your child may enjoy that will edify them and enrich their lives. If you're a teenager, and you think that no kind of Christian music could EVER be as good as what you're listening to now, maybe you'll be surprised at what you hear. If you're older, and it's all just noise to you, maybe these will just prove what you already believed (or maybe they won't).
I picked these songs in particular for their strong lyrical content, their superior music quality, and for the artists themselves, all of whom I would consider good role models for Christian young people today. You might disagree on one or all of these points for the songs below. But I sincerely hope that you will at least give them a chance.
1) Flame ~ "Move" – So, maybe you or your kid likes the crazy-sounding, hip-hop ramblings of rapper Lil Wayne, although I'm not really sure why anyone likes him. Here's a healthy alternative that doesn't have to be bleeped every five seconds for curse words. It doesn't have to be bleeped at all, in fact. However, it is very explicit in its message about obedience to God, no matter the consequences. Listen as Flame implores you: "Hey, here's an idea / Why don't you go and forgive? / Why don't you go and repent? / Turn from your sin and enlist / Yes, I know it's hard, though / Plus, I understand it / But Jesus said, 'If you love Me, then you'll keep My commandments..."
2) PRo feat. Andy Mineo ~ "In His Image" – Maybe you (or they) prefer the adept but foul-mouthed lyricism of Eminem or Kanye West. Well, you won't find any foul language here, but you will find plenty of truth. Listen as PRo and his pal Andy Mineo tell us: "The simple fact that Creation is so creative / Is an exclamation point to this statement / It's amazing, so amazing / If you got low self-esteem, well, this should change that / There's traces of divinity up in your frame, fam / So love God, love people, and thoroughly hate sin..."
3) Sir-Viva & Result ~ "Lost In Love" – I don't really have a comparative artist for this duo, but I do love listening to their music. Their recent album, "Heart Condition", from which this song originates, presents a clear picture of the sickness of our hearts before and up until we come to a saving knowledge of Christ. This song demonstrates the principles about Godly love from I Corinthians 13 more clearly than I have heard in any other song. Straight out of Scripture, they proclaim: "Love bears all things / Love believes all things / Love hopes all things / Love endures all things / Let's get lost in love..." I'll warn you, that chorus will get stuck in your head for awhile. But there are lots worse things to get stuck in your head, I suppose.
4) Lecrae feat. Andy Mineo ~ "Background" – Lecrae is, by far, one of the most popular and successful Christian rappers out there right now. It's his accessibility – you don't necessarily have to like rap to enjoy his music – and his blatantly Christian lyrics, as well as his unashamed lifestyle that seem to set him apart from the rest. In this, one of Lecrae's best songs, he talks to God openly and honestly: "I had a dream that I was captain of my soul / I was master of my fate – lost control and then I sank / So I don't want to take the lead, 'cause I'm prone to make mistakes / All these folks who follow me [are] gonna end up in the wrong place / So let me shadow You, let me trace Your lines / Matter of fact, just take my pen – here, You create my rhymes..."
OK, so maybe you (or they) aren't into hip-hop or rap at all. That's cool; that's perfectly understandable. Maybe you (or they) prefer pop stars like Lady Gaga, Katy Perry, Ke$ha, Beyonce, or Rihanna. While these ladies are all very accomplished in what they do, none of them are what most would consider a good "role model". But here are a few ladies who are:
5) V. Rose ~ "Not So Average" – This young lady knows that image isn't everything, and isn't ashamed to put herself on the back burner in order to glorify her King. She sings: "The only way to shine like a star / Is to realize whose you are / You were created to go far / It really doesn't matter what you look like / If you have Jesus on the inside / He's everything that you need in your life..."
6) Beckah Shae ~ "#putyourloveglasseson" – Beckah Shae excels at producing catchy, upbeat songs that you could dance to (if you were so inclined), very much in the vein of Lady Gaga, minus all the blatant sexual references and imagery. Admittedly, there's not quite as much substance to the lyrics of this song as some of the others here, but the message is positive and it's clear. "Keep truth seeking, listen to wisdom speaking, catch His heartbeat, and see the world through God's eyes!"
7) Britt Nicole ~ "The Lost Get Found" – Here's another young artist who's unashamed about her faith. Her music is light and poppy, but always grounded in truth. She implores the listener to: "Don't let your lights go down / Don't let your fire burn out / Somewhere, somebody needs a reason to believe / Why don't you rise up now? / Don't be afraid to stand out / That's how the lost get found..."
8) Kerrie Roberts – "Outcast" – Christian young people who aren't afraid to take a stand for their faith will often face ridicule, bullying, or even be ostracized in some settings because of it. This song encourages them (and you) to be okay with not being like everybody else. Comparable in style to an artist like Katy Perry, Kerrie boldly proclaims here: "I'm not good enough, I'm not what they want / But let me tell you what, I know who I am / So just throw me out for not fitting in / I will stand my ground and be an outcast!"
Therefore, it's important to be careful what kind of music you allow to be a part of your life. I have to admit, I'm not always careful enough. I have tons and tons of good, positive music. And I have some not-so-positive music. I listen to plenty of good, God-honoring Christian music. And sometimes I don't.
Don't get me wrong – I'm not saying that I listen to complete rubbish, although I easily could. But sometimes I feel like listening to music by so-called "secular" artists, and I do. I'm not here to condone or condemn any music that's not Christian. I'm just being honest, which is sort of the point.
That being said, I do recognize that I am more likely to be in a better frame of mind and more at peace in my soul when I'm listening to music that speaks to my soul.
I don't know who's reading this right now.
Maybe you're older, and when you hear bits and pieces of "modern" music, whatever the style, you simply roll your eyes, hit the "Seek" button on the radio, or the "Channel" button on your TV, because it holds no interest for you whatsoever. It all sounds like a bunch of noise, you think.
Maybe you're younger, a teenager perhaps, and you hear today's popular music on a regular basis – whether you own it and play it on your mp3 player, or you hear it at your friends' house, or watch music videos on TV, or whatever. Maybe you like some of this music, even though you know the lyrics, or the content of the videos, or the artists themselves are questionable, if not downright immoral. Maybe you don't care if it's "bad" or not.
Maybe you're the parent of teenagers, or even younger children, and you're concerned about the negative influences that some of today's music is having, or will potentially have on your child's life. Maybe you know they're listening to it, and you think: What harm could it do, it's just music, right? Maybe they're listening to it when you're not around, and it's affecting the way they think, feel, or behave.
Maybe you're of the belief that only one kind of music is any good, and that's Christian music. And only one kind of Christian music is good, and that's Southern gospel, or hymns, or Christian contemporary music, or you-fill-in-the-blank. You're entitled to that opinion, of course, and maybe you're right. Or maybe you just don't realize that there are good, Godly alternatives to today's "secular" music because you've never been exposed to them, or because you've summarily dismissed them as "copycats" of worldly music.
Whichever category best fits you as you're reading this, I hope you will listen to the songs in the video links below, and will do so with an open mind. If you're the "anything-that-ain't-a-hymn-is-sinful" person, maybe these will convince you otherwise (or maybe not). If you're a parent, perhaps you'll find something here that your child may enjoy that will edify them and enrich their lives. If you're a teenager, and you think that no kind of Christian music could EVER be as good as what you're listening to now, maybe you'll be surprised at what you hear. If you're older, and it's all just noise to you, maybe these will just prove what you already believed (or maybe they won't).
I picked these songs in particular for their strong lyrical content, their superior music quality, and for the artists themselves, all of whom I would consider good role models for Christian young people today. You might disagree on one or all of these points for the songs below. But I sincerely hope that you will at least give them a chance.
1) Flame ~ "Move" – So, maybe you or your kid likes the crazy-sounding, hip-hop ramblings of rapper Lil Wayne, although I'm not really sure why anyone likes him. Here's a healthy alternative that doesn't have to be bleeped every five seconds for curse words. It doesn't have to be bleeped at all, in fact. However, it is very explicit in its message about obedience to God, no matter the consequences. Listen as Flame implores you: "Hey, here's an idea / Why don't you go and forgive? / Why don't you go and repent? / Turn from your sin and enlist / Yes, I know it's hard, though / Plus, I understand it / But Jesus said, 'If you love Me, then you'll keep My commandments..."
2) PRo feat. Andy Mineo ~ "In His Image" – Maybe you (or they) prefer the adept but foul-mouthed lyricism of Eminem or Kanye West. Well, you won't find any foul language here, but you will find plenty of truth. Listen as PRo and his pal Andy Mineo tell us: "The simple fact that Creation is so creative / Is an exclamation point to this statement / It's amazing, so amazing / If you got low self-esteem, well, this should change that / There's traces of divinity up in your frame, fam / So love God, love people, and thoroughly hate sin..."
3) Sir-Viva & Result ~ "Lost In Love" – I don't really have a comparative artist for this duo, but I do love listening to their music. Their recent album, "Heart Condition", from which this song originates, presents a clear picture of the sickness of our hearts before and up until we come to a saving knowledge of Christ. This song demonstrates the principles about Godly love from I Corinthians 13 more clearly than I have heard in any other song. Straight out of Scripture, they proclaim: "Love bears all things / Love believes all things / Love hopes all things / Love endures all things / Let's get lost in love..." I'll warn you, that chorus will get stuck in your head for awhile. But there are lots worse things to get stuck in your head, I suppose.
4) Lecrae feat. Andy Mineo ~ "Background" – Lecrae is, by far, one of the most popular and successful Christian rappers out there right now. It's his accessibility – you don't necessarily have to like rap to enjoy his music – and his blatantly Christian lyrics, as well as his unashamed lifestyle that seem to set him apart from the rest. In this, one of Lecrae's best songs, he talks to God openly and honestly: "I had a dream that I was captain of my soul / I was master of my fate – lost control and then I sank / So I don't want to take the lead, 'cause I'm prone to make mistakes / All these folks who follow me [are] gonna end up in the wrong place / So let me shadow You, let me trace Your lines / Matter of fact, just take my pen – here, You create my rhymes..."
OK, so maybe you (or they) aren't into hip-hop or rap at all. That's cool; that's perfectly understandable. Maybe you (or they) prefer pop stars like Lady Gaga, Katy Perry, Ke$ha, Beyonce, or Rihanna. While these ladies are all very accomplished in what they do, none of them are what most would consider a good "role model". But here are a few ladies who are:
5) V. Rose ~ "Not So Average" – This young lady knows that image isn't everything, and isn't ashamed to put herself on the back burner in order to glorify her King. She sings: "The only way to shine like a star / Is to realize whose you are / You were created to go far / It really doesn't matter what you look like / If you have Jesus on the inside / He's everything that you need in your life..."
6) Beckah Shae ~ "#putyourloveglasseson" – Beckah Shae excels at producing catchy, upbeat songs that you could dance to (if you were so inclined), very much in the vein of Lady Gaga, minus all the blatant sexual references and imagery. Admittedly, there's not quite as much substance to the lyrics of this song as some of the others here, but the message is positive and it's clear. "Keep truth seeking, listen to wisdom speaking, catch His heartbeat, and see the world through God's eyes!"
7) Britt Nicole ~ "The Lost Get Found" – Here's another young artist who's unashamed about her faith. Her music is light and poppy, but always grounded in truth. She implores the listener to: "Don't let your lights go down / Don't let your fire burn out / Somewhere, somebody needs a reason to believe / Why don't you rise up now? / Don't be afraid to stand out / That's how the lost get found..."
8) Kerrie Roberts – "Outcast" – Christian young people who aren't afraid to take a stand for their faith will often face ridicule, bullying, or even be ostracized in some settings because of it. This song encourages them (and you) to be okay with not being like everybody else. Comparable in style to an artist like Katy Perry, Kerrie boldly proclaims here: "I'm not good enough, I'm not what they want / But let me tell you what, I know who I am / So just throw me out for not fitting in / I will stand my ground and be an outcast!"
Thursday, January 26, 2012
Things I Find Fascinating: Online Ads For Christian Dating Websites
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Wednesday, January 25, 2012
Sink Or Swim
True confession: I don't swim too well. I know how. I try hard. But I sink every time. Either that, or I swim crooked.
I'm fine as long as I can hold on to the side of the pool – if I'm in a pool, that is. But when I attempt to swim across the pool – from the shallow side, across the deep end, to the other shallow side – I had better make it all the way, because if I stop anywhere in the middle, I'm going to sink.
I'm not really sure why this is the case. Because I'm bottom-heavy, perhaps? Maybe I have no natural buoyancy. Maybe I'm a freak of nature. I don't know.
I can't swim straight, either. The truth of the matter is that I swim in semi-circles. Maybe sometimes in the figure of a question mark. Never an exclamation point. I don't know why that is. I try to go forward. That's both the goal and the intention. But I always end up halfway back where I started. It's kind of hilarious to watch, at least from what I'm told.
When it came time for me to take the swim test in college – often (if not always) a requirement to graduate – I couldn't even attempt it. I had to take an elective health class which basically ended up being Remedial Swimming. I had to relearn everything I'd been taught about swimming when I was a kid.
And still I sank. And I still couldn't swim straight. I really did give it my best effort, but my body simply didn't cooperate. I passed Remedial Swimming, but I'm not sure I ever did pass that swim test. Maybe they felt sorry for me. Maybe I did enough halfway-across-the-pool laps that I reached the required number of full laps. Maybe they just got tired of seeing me fail and moved me along.
I don't care, really. It's slightly embarrassing, and would become quite an inconvenience if I was ever on a boat that capsized and there were no life preservers. But it is what it is. I'm not a swimmer.
I could make some profound point here, about how trying and trying but always failing is a metaphor for life. Or I could use this analogy to demonstrate that it's okay not to be able to do something, as long as you give it your best. But that's just trite nonsense. There's no deeper meaning here. I just can't swim. That's all there is to say.
WAR AND PEACE UPDATE: I've done it. I've finally reached 10% of the book, which means I'm around Location 2900 on the Kindle, or page 98 of the printed version. I'm right at the beginning of Book Two (there are sixteen Books, or parts, that comprise the novel). This is almost where I gave up before. I'm not giving up this time. What's more, I don't even want to!
I'm fine as long as I can hold on to the side of the pool – if I'm in a pool, that is. But when I attempt to swim across the pool – from the shallow side, across the deep end, to the other shallow side – I had better make it all the way, because if I stop anywhere in the middle, I'm going to sink.
I'm not really sure why this is the case. Because I'm bottom-heavy, perhaps? Maybe I have no natural buoyancy. Maybe I'm a freak of nature. I don't know.
I can't swim straight, either. The truth of the matter is that I swim in semi-circles. Maybe sometimes in the figure of a question mark. Never an exclamation point. I don't know why that is. I try to go forward. That's both the goal and the intention. But I always end up halfway back where I started. It's kind of hilarious to watch, at least from what I'm told.
When it came time for me to take the swim test in college – often (if not always) a requirement to graduate – I couldn't even attempt it. I had to take an elective health class which basically ended up being Remedial Swimming. I had to relearn everything I'd been taught about swimming when I was a kid.
And still I sank. And I still couldn't swim straight. I really did give it my best effort, but my body simply didn't cooperate. I passed Remedial Swimming, but I'm not sure I ever did pass that swim test. Maybe they felt sorry for me. Maybe I did enough halfway-across-the-pool laps that I reached the required number of full laps. Maybe they just got tired of seeing me fail and moved me along.
I don't care, really. It's slightly embarrassing, and would become quite an inconvenience if I was ever on a boat that capsized and there were no life preservers. But it is what it is. I'm not a swimmer.
I could make some profound point here, about how trying and trying but always failing is a metaphor for life. Or I could use this analogy to demonstrate that it's okay not to be able to do something, as long as you give it your best. But that's just trite nonsense. There's no deeper meaning here. I just can't swim. That's all there is to say.
WAR AND PEACE UPDATE: I've done it. I've finally reached 10% of the book, which means I'm around Location 2900 on the Kindle, or page 98 of the printed version. I'm right at the beginning of Book Two (there are sixteen Books, or parts, that comprise the novel). This is almost where I gave up before. I'm not giving up this time. What's more, I don't even want to!
Tuesday, January 24, 2012
Everyday Lies
As shameful as it is to admit, I lie every day. Most of the time, I don't even think about it. Sometimes, I know that what I'm saying isn't entirely honest, but I'm saying it to be kind. Sometimes, I'm fully aware of my deception.
Before you cast stones, please understand that I'm not talking about earth-shattering, world-changing lies. I recognize that the severity of the lie doesn't make it any more or less a lie. No more than the severity of any other sin makes it any more or less a sin.
My intention here is to discuss the "everyday lies" that we may tend to gloss over, because we often don't perceive them to be what they really are – less than truthful. Yes, I said "we" – because, chances are, many of you are probably guilty of one or more of these on a regular basis yourselves.
So, here they are – the ones I could think of at least. So that it doesn't appear that I'm pointing fingers at anyone other than myself, I'll word my explanations from my own perspective. But I'm betting most of us are in the same boat on a few, if not all, of these.
1) "I'm fine." How easy it is to say "I'm fine", when the question is posed, especially in passing. I may be having the worst day of my life, or I may feel awful, or I may not even feel anything. But the question, from a friend or family member, or possibly a stranger seems to come so easily – "How are you doing?" – and the answer comes just as easily: "I'm fine." Maybe I'm saying it out of consideration for the other person's valuable time. I can see that they're just being polite – they don't actually care how I'm doing. They may not even know who I am. Why should I waste their time, or impose upon their politeness by replying, "Well, I think I'm having a nervous breakdown," or "My right foot hurts – I think my athlete's foot is flaring up again", or perhaps, "I really don't feel like talking to you, Total Stranger, but thank you for inquiring about the state of my well-being." But instead I say, "I'm fine."
2) "It's nothing." How often are simple arguments/discussions/ disagreements prolonged by the simple statement, "It's nothing"? I've often said it myself, usually when I don't feel like fighting with someone. Or I deem whatever the "nothing" is to be less important the energy I will expend in dealing with it, whether verbally, physically, or otherwise. "It's nothing" is probably one of the most transparent lies I will ever tell. Because if I'm visibly upset enough that you are asking me the question "What's wrong?", then it's obvious that "something" is bothering me, and it's not "nothing". Maybe the problem is an embarrassing one that I don't want to talk about. Or, like the previous scenario, I don't know the person who's asking me the question, and I figure it's none of their business anyway. Or maybe I feel like the "something" is "nothing" in comparison to other, more important "somethings" – like the War On Terror, for instance, or perhaps famine, or the rising cost of living. So I trivialize the "something" in my own mind, and simply say, "It's nothing."
3) "No, I don't mind." This lie is particularly disingenuous, yet it's most often fueled by simple kindness. Someone is in need – they ask for my help. My selfishness kicks in – I don't want to help them. They should help themselves, I think. And I'm a half-second away from telling them so, and then I realize my foolishness, come to my senses, and say "No, I don't mind." Maybe they're asking if I will help them move their things to their new apartment, or they're requesting special permission to miss drama practice, or maybe they just want that last fry on my plate. And sometimes I do mind. Sometimes I don't want to give up what I consider to be rightfully mine – whether it's my free time, my full cast, or my French fry. But I consider the alternative. If I were in this situation, and I was asking the same or similar request of someone else, and I was truly in need, what would I want their answer to be? And so I reply, "No, I don't mind."
4) "I'm sorry to hear that." This little white lie is the companion piece to "I'm fine," but carries its own set of embarrassing admissions. As easy as it is to answer "How are you doing?", it's just as easy to ask the same question. Every now and then, I get an honest reply from someone. "Not too good, actually. I've got this problem with so-and-so..." Or maybe the question I pose is, "How's your wife doing? And your kids?" And I'm "treated" to a lengthy outline of the problems you're having, whether it's your child who keeps getting sent to the principal's office for acting up in class, or it's the financial problems you're have due to mounting debt, or maybe even – God forbid! – marital issues that you're dealing with. And, while my mind may already have moved on to other subjects, other people, or to nothing in particular at all – I'm looking you in the eye, and nodding my head (or shaking it, whichever is more appropriate), and waiting for a break in the conversation so I can frown and say, "I'm sorry to hear that." Don't get me wrong – this is not something I do in every circumstance, or every conversation I have with friends or family members. Quite often, I truly care what's going on in the lives of people I like, or even love. But then sometimes I don't. And that's when it gets dicey. And I lie and say, "I'm sorry to hear that."
5) "It's okay. Really." This one is quite similar to "No, I don't mind", and not too dissimilar from "It's nothing". But I've separated it out for one specific reason. This is the lie that deals with forgiveness. Someone has wronged me, I feel slighted, maybe even hurt. And they're apologizing. I'm usually quick to forgive, but what they did this time really bothered me. And it's not okay. But they're expecting me to accept their apology, trusting them not to wrong me, or slight me, or hurt me again in the future. I don't trust people easily, and so I'm skeptical of the reasons behind their apology. And I'm hesitant to forgive. But then I think about all the ways in which I've wronged others, slighted them, and even hurt them. And I want to be forgiven. In some cases, I want to be forgiven without the embarrassment of having to apologize in the first place, as selfish as I know that sentiment to be. Then I think about the ways in which I've wronged my God, and slighted Him, and hurt Him. And all the times I've asked Him to forgive me. And He does, every time without fail. And I hang my head in shame, look into the pleading eyes of my brother or sister, and simply say, "It's okay. Really."
What do we do about these "everyday lies"? Do we think before we speak, every time we speak? Do we carefully consider whether or not honesty is, in fact, the best policy, in every case? Or do we tell the truth always, regardless of the consequences?
I don't have the answers. I think there probably aren't any easy answers. I'm just bringing up the question.
Before you cast stones, please understand that I'm not talking about earth-shattering, world-changing lies. I recognize that the severity of the lie doesn't make it any more or less a lie. No more than the severity of any other sin makes it any more or less a sin.
My intention here is to discuss the "everyday lies" that we may tend to gloss over, because we often don't perceive them to be what they really are – less than truthful. Yes, I said "we" – because, chances are, many of you are probably guilty of one or more of these on a regular basis yourselves.
So, here they are – the ones I could think of at least. So that it doesn't appear that I'm pointing fingers at anyone other than myself, I'll word my explanations from my own perspective. But I'm betting most of us are in the same boat on a few, if not all, of these.
1) "I'm fine." How easy it is to say "I'm fine", when the question is posed, especially in passing. I may be having the worst day of my life, or I may feel awful, or I may not even feel anything. But the question, from a friend or family member, or possibly a stranger seems to come so easily – "How are you doing?" – and the answer comes just as easily: "I'm fine." Maybe I'm saying it out of consideration for the other person's valuable time. I can see that they're just being polite – they don't actually care how I'm doing. They may not even know who I am. Why should I waste their time, or impose upon their politeness by replying, "Well, I think I'm having a nervous breakdown," or "My right foot hurts – I think my athlete's foot is flaring up again", or perhaps, "I really don't feel like talking to you, Total Stranger, but thank you for inquiring about the state of my well-being." But instead I say, "I'm fine."
2) "It's nothing." How often are simple arguments/discussions/ disagreements prolonged by the simple statement, "It's nothing"? I've often said it myself, usually when I don't feel like fighting with someone. Or I deem whatever the "nothing" is to be less important the energy I will expend in dealing with it, whether verbally, physically, or otherwise. "It's nothing" is probably one of the most transparent lies I will ever tell. Because if I'm visibly upset enough that you are asking me the question "What's wrong?", then it's obvious that "something" is bothering me, and it's not "nothing". Maybe the problem is an embarrassing one that I don't want to talk about. Or, like the previous scenario, I don't know the person who's asking me the question, and I figure it's none of their business anyway. Or maybe I feel like the "something" is "nothing" in comparison to other, more important "somethings" – like the War On Terror, for instance, or perhaps famine, or the rising cost of living. So I trivialize the "something" in my own mind, and simply say, "It's nothing."
3) "No, I don't mind." This lie is particularly disingenuous, yet it's most often fueled by simple kindness. Someone is in need – they ask for my help. My selfishness kicks in – I don't want to help them. They should help themselves, I think. And I'm a half-second away from telling them so, and then I realize my foolishness, come to my senses, and say "No, I don't mind." Maybe they're asking if I will help them move their things to their new apartment, or they're requesting special permission to miss drama practice, or maybe they just want that last fry on my plate. And sometimes I do mind. Sometimes I don't want to give up what I consider to be rightfully mine – whether it's my free time, my full cast, or my French fry. But I consider the alternative. If I were in this situation, and I was asking the same or similar request of someone else, and I was truly in need, what would I want their answer to be? And so I reply, "No, I don't mind."
4) "I'm sorry to hear that." This little white lie is the companion piece to "I'm fine," but carries its own set of embarrassing admissions. As easy as it is to answer "How are you doing?", it's just as easy to ask the same question. Every now and then, I get an honest reply from someone. "Not too good, actually. I've got this problem with so-and-so..." Or maybe the question I pose is, "How's your wife doing? And your kids?" And I'm "treated" to a lengthy outline of the problems you're having, whether it's your child who keeps getting sent to the principal's office for acting up in class, or it's the financial problems you're have due to mounting debt, or maybe even – God forbid! – marital issues that you're dealing with. And, while my mind may already have moved on to other subjects, other people, or to nothing in particular at all – I'm looking you in the eye, and nodding my head (or shaking it, whichever is more appropriate), and waiting for a break in the conversation so I can frown and say, "I'm sorry to hear that." Don't get me wrong – this is not something I do in every circumstance, or every conversation I have with friends or family members. Quite often, I truly care what's going on in the lives of people I like, or even love. But then sometimes I don't. And that's when it gets dicey. And I lie and say, "I'm sorry to hear that."
5) "It's okay. Really." This one is quite similar to "No, I don't mind", and not too dissimilar from "It's nothing". But I've separated it out for one specific reason. This is the lie that deals with forgiveness. Someone has wronged me, I feel slighted, maybe even hurt. And they're apologizing. I'm usually quick to forgive, but what they did this time really bothered me. And it's not okay. But they're expecting me to accept their apology, trusting them not to wrong me, or slight me, or hurt me again in the future. I don't trust people easily, and so I'm skeptical of the reasons behind their apology. And I'm hesitant to forgive. But then I think about all the ways in which I've wronged others, slighted them, and even hurt them. And I want to be forgiven. In some cases, I want to be forgiven without the embarrassment of having to apologize in the first place, as selfish as I know that sentiment to be. Then I think about the ways in which I've wronged my God, and slighted Him, and hurt Him. And all the times I've asked Him to forgive me. And He does, every time without fail. And I hang my head in shame, look into the pleading eyes of my brother or sister, and simply say, "It's okay. Really."
What do we do about these "everyday lies"? Do we think before we speak, every time we speak? Do we carefully consider whether or not honesty is, in fact, the best policy, in every case? Or do we tell the truth always, regardless of the consequences?
I don't have the answers. I think there probably aren't any easy answers. I'm just bringing up the question.
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